What has Changed In My Classroom Since Agen?

Anne asked me this morning this question! It’s a good one because so much has changed as a result of my week in Agen and yet it is hard to pinpoint exactly.

Spending a week in Daniel’s Breton class is one of the major reasons why I’ve adapted various changes into my teaching. Becoming a learner of a language as a beginner is something I urge all language teachers to try because if you are like me, I can’t remember what it was like anymore. Experiencing the importance of repetitions and needing EVERY. SINGLE. ONE. I no longer begrudge saying words over and over again anymore. I am no longer concerned about a repetition being boring. I know that each and every time I speak, there is someone in my room who needs to hear that word once again.

One more change I am working on is speaking slowly. I am now even more aware of the importance of this. While I really like Robbert Harrell’s tip of tapping slowly on your leg,  like a metronome, I have yet to try it in class. One day, I’ll remember! As a learner, I really needed Daniel’s slow pace. It was vital for comprehension, it kept the affective filter low and also gave me enough time to scan the word wall when necessary.  While on the topic of slow, I also would like to mention how Daniel would occasionally challenge the fast processors by speaking directly to them at a slightly faster pace and then turn to us slower processors and repeat it slowly! Repetition followed by slow! We lapped it up!

Daniel would ask students for suggestions while story asking and each one was written up on the board if necessary. This practise differentiated and valued each and every suggestion. My suggestion of a kangaroo was a cognate and did not ever need to be written up on the board but dianvasou (stranger) definitely went up! I now do this too! Through this practise, I can point and pause which is a useful tool that helps to slow my speech down! Previously, in avoiding going out of bounds, I avoided incorporating new words into our story asking/ kursi luar biasa, but now I embrace it and have started collecting words that appear frequently and/or are useful for student engagement and would be great to incorporate into future stories!

Probably the biggest area of change is that I am incredibly more relaxed about my lessons. After watching Daniel, I have more confidence now following student led directions in lessons. With my older classes, since my return, I now spend each lesson focused on kursi luar biasa. One student sits in the kursi luar biasa (the awesome chair) and I interview them. I make it clear before we start that the student may choose to tell the truth or lie! As soon as that is established, you can feel the ripple in the air of engagement and immediately the rest of the class are on board. We start off with nicknames. I ask the student seated in the kursi luar biasa if he/she has a nick name and then ask the class what they are, checking after each if it is one of their nicknames. It’s hilarious! One class came up with 12 nicknames for Shaun – one of which was Sunday! It was so left field we all collapsed on the floor laughing! It is so exhilarating teaching like this! We incorporate all sorts of things into the interviews including grammar, pronunciation, intercultural comparisons (ACARA requirements) – it is awesome. Once I’ve done a few more, I am going to create a reading using the sekretaris notes and maybe incorporate one of Laurie Clarq’s embedded reading ideas and finish with an uplifting clip from youtube. Cool hey?

Another thing that has changed for me is that in meeting such an amazing bunch of people, I know there are many people in this world who have my back. It is the most amazing feeling being in and amongst CI/TPRS colleagues and feeling that sense of support and community. I definitely felt it with our PLC and online before Agen, but to feel it in another country was truly incredible. Knowing that I am a member of such a warm global community gives me the confidence that supports me each and every day before I step into my classroom! When you are amongst TCI legends who validate and encourage, you feel invincible. This is what gives me the confidence to incorporate all of the above into my teaching.

Meeting our State Education Minister – Susan Close!

I have just returned home after a very exciting meeting and half an hour later, I am still grinning like a Cheshire Cat. I am on such a high that I want to share it with you!! 

Last Friday,  Annie added our 3 names to the invitation list of the Country Cabinet State Government visit to the Fleurieu. 


The aim of the Country Cabinet visits is to provide regional residents with a community forum so they can speak directly to the premier and his ministers about issues directly relevant to their region. We were thrilled that this would  provide us with an opportunity to speak with the SA education minister, Susan Close. 

Last year we heard her speak at the MLTASA conference about the importance of language learning. All the language teachers were delighted to discover that we had such a powerful ally in our state government. 

During our car trip home after the conference, we decided that it was a priority to speak directly to the minister about TPRS but could not find a time that suited us all. It was a gift to hear that she was visiting our region and schools this week.  

Tonight the 3 of us joined the throng at the Victor Rec Centre enjoying a BBQ dinner cooked by the brilliant Lions Club. It was lovely seeing such a huge cross section of people representing the Fleurieu. We caught up with friends while munching on sausage sandwiches (or in my case, a veggie patty) while waiting for the cabinet to arrive. 

We had deliberately chosen seats at the back of the room to give us an excellent vantage point from which to peruse all who entered. Annie immediately spotted Susan Close as she arrived. We allowed her time to grab a sausage sandwich before making a beeline for her and totally monopolising her until she had to make her way to the front. 

Susan was very gracious and listened intently to us as we explained to her about TPRS and all that we have achieved down here on the Fleurieu for language teachers. She asked many questions (when she could get a word in!) and was delighted to hear that she will get the opportunity to observe TPRS in the classroom tomorrow during her school visit. 

It was so exciting to have the opportunity to speak directly to the minister of education about TPRS, a largely unfamiliar methodology in Australia, that has the potential to reverse the decreasing numbers of students choosing to study languages across secondary and tertiary sectors in Australia. We took great delight in sharing Ian Perry’s amazing 2016 student retention numbers as evidence of this!! 

Let’s hope our chat and the brief observation opportunity tomorrow will tweak her curiosity enough to investigate TPRS further. It would be awesome to have her support!! 

Wow TPRS Sounds Awesome But Where do I Start? 

Over the past 2 years that I’ve been using TPRS in my Indonesian classroom, I’ve used many different stories, most of which have been suggested by Catharina, our wonderful mentor. We are so fortunate to have been introduced to such a highly experienced Early Years TPRS mentor who has a wealth of story recommendations focusing on any given target structure! Any story recommended by Catharina is a guaranteed ‘home run’!

After all the workshops or the conference I attended or presented at, the inevitable question from interested participants was always; “Where do we start?” This was where Catharina was initially extremely helpful for us when we first began TPRS. Each time we reached a road block and became puzzled about our future direction, she would gently and positively guide and nudge us back on track with constructive feedback, sharing ideas and activities from her own classroom practise.

This post hopefully will give you an idea of where to start if you are at the beginning of your TPRS journey. I teach students from Reception (Prep/Transition) to year 7 and as most TPRS stories are written for middle years students, the cohort we initially had the greatest difficulty adapting TPRS to were the junior primary students, hence my focus in this post. However, don’t change the channel just yet, because first time learners are largely the same regardless of their age. The major difference, I’m sure you will all agree,  is their attention span! Everything else remains identical. 

My stories are in Indonesian (what a surpise) however they can easily be translated (back) into other languages using google translate. We received them in a variety of languages before translating them into Indonesian incorporating high frequency vocabulary where possible and eliminating any language we felt our students were not ready for or that did not work in Indonesian. Also, if the story is too simplified for your cohort, add detail and language to ensure it is more suitable yet remember to always keep it comprehensible with no more than 1 – 3 (unfamiliar) target structures. NO MORE THAN 3!

The first ever story we started with is Catharina’s adaptation of Jim Tripp’s, “Nice to Meet You.” This story is without doubt, in my humble opinion, the best place to begin a CI journey for either students for whom this is their first ever contact with the language you are teaching OR for a teacher who lacks confidence in his/her CI skills &/or language skills & is about to begin their first ever CI unit of work.

The original story:

Target structures: 

-meets

-My name is ______ 

-gets really nervous 

-nice to meet you 

Lindsey meets Channing Tatum. Lindsey says to him, “Hi, my name is Lindsey.” Channing Tatum says nervously, “Nice to meet you.” He gets more nervous and says, “My name is Luke Skywalker.” Lindsey says to him, “Nice to meet you Luke.”

The simplified adapted version:

Target Structures;

  • berkata,
  • nama saya,
  • siapa nama?

Other: di, dari, astaga (point & pause only)

Taylor Swift di MacDonald’s.

Bu Cathy di MacDonald’s

Tayor Swift berkata, “Nama saya Taylor Swift. Siapa nama?”

Bu Cathy berkata, “Nama saya Bu Cathy.”

Taylor Swift berkata,”Bu Cathy? Bu Cathy dari PEPS?”

Astaga!

Autograf!!

(Taylor Swift faints)

Suggested sightly more difficult version:

Kemarin, Taylor Swift di Macdonald’s.

Kemarin, Bu Cathy di Macdonald’s juga.

Tayor Swift berkata, “Nama saya Taylor Swift. Siapa nama?”

Bu Cathy berkata, “Nama saya Bu Cathy.”

Taylor Swift berkata,”Bu Cathy? Bu Cathy dari PEPS?”

Astaga!

Autograf!!

(Taylor Swift faints)

As you can see the original version is not suitable for young learners because there are significantly more than 3 target structures for students to acquire. I also like the way Catharina has tweaked it to make it more appealing. Adding a faint at the end is ingenious! I have story asked this story with staff too at a staff meeting! It is such an awesome story for beginner learners and appeals to all ages with its simple language and unexpected ending!

Once you have chosen your new story and identified the target structures, you are ready to start. At the conference, Terry began by story asking mini stories based on each of the target structures, focusing on one at a time. I personally prefer a technique I read about on Ben Slavic’s website called Visual Personalised Questions and Answers (VPQA).  This has been very engaging for my students and is also helpful for teachers new to circling and story asking because VPQA provides teachers with our own personal brain break!! It relieves some of the stress by giving a tiny breather in which we can regroup and get the TPRS juggling balls back in the air again. 

If the target structure is ‘berkata,’ I start by  creating a powerpoint. I begin with a google image search for quirky images that will appeal to my students and give me opportunities to ask my students personalised questions and answers. This upcoming week, my reception students will be revising Nama saya (my name is) & Siapa nama? (what’s your name?) while introducing ‘berkata’ (said/say/says). Using Ibu Sharon’s awesome idea, I have found pictures of characters familiar to my young students (Elsa, Pikachu, Donkey, Bob the Builder – to name a few) all of whom have a phrase that they are known for saying. E.g. Elsa berkata, “Let it go.” On each page is a picture of the character with his/her/its given phrase. This allows me to ask, “Siapa nama?” and then circle the name (Nama saya Elsa? Nama saya Bob the builder atau/or Nama saya Elsa?) I can then circle the target structure; “Dory berkata, ‘Keep on swimming” atau Elsa berkata, “Keep on swimming”? Because each picture is different, VPQA keeps them on the edge of their seat wondering what the next picture will be! While PQA & VPQA is technically personalised questions about the students, at this early stage, to keep the language in bounds it may be necessary to restrict the circling just for now to just ask about the characters on the screen. I would definitely not recommend using any new question words this early in their learning! The language used must, must, must be in bounds. To ask, “Pak Taylor berkata apa?” will immediately raise their affective filter and could potentially derail that lovely calm, comprehensible atmosphere you have created. If Pak Taylor does have a phrase that he is well known for, then ask, Pak Taylor berkata, “Let it go?” atau Pak Taylor berkata, “Howzat?” Ya, Pak Taylor berkata, “Howzat!” (Does Mr Taylor says, “Let it go” or does Mr Taylor say, “Howzat?”) Stick to the language they know!! It is too early (especially for very young learners) to toss them new and unfamiliar vocabulary. 

Once I feel that students have  largely acquired the target structures, I move to story asking. I don’t worry too much if there are students who have not fully acquired the target structures yet for several reasons. Firstly we will hit them (oops – the target structures!) repeatedly during the story asking process and secondly most target structures will be repeated over and over in future stories. This would have to be the single best factor of TPRS and is why it triumphs over the way I used to teach. The structures we target now are specifically chosen for communication in a classroom context (and hopefully useful on their next family holiday to Bali) and thus will be used often unlike previously where from term to term, my thematic vocabulary was rarely revisited.
The above stories are the skeleton and all the words underlined are the words you can ask for student input depending on their age. Usually I ask for an ‘aktor’  and then ask the class, “Laki laki atau perempuan?” before asking, “Siapa nama?” However for my young (brand new to school)  reception students, I have planned to tell their first ever  story to them using cut out pictures with magnets on the back moving them around on my mobile white board. Then, once they are more familiar with me and my teaching style, I will ask for their input — usually they’ll be ready by the next story!

When planning for young students, the best advice I ever received was to plan activities so that the students move up, down, up, down throughout the lesson. The younger they are, the more frequently the teacher changes the activity. Thus, once the story has been asked (a ‘down’ activity), it is time for the students to stand up and do an ‘up’ activity. This can either be a brain break, TPR or could be an activity based on the story. My favourite activity post story asking is called ‘all the worlds a stage”. Students get into pairs and duduk (sit). I then explain (in English for now but soon will be in Indonesian) that one of them is Pak Hudson (our school principal) and one of them is Superman (the 2 characters in our story). I will then say, “Superman berdiri. Superman duduk. Pak Hudson berdiri. Pak Hudson duduk.” This incorporates TPR and also ensures that each pair has agreed on who is each character. At this point there will inevitably be a pair who both want to be the same character. At this point I promise the whole class that we will be doing this activity twice and the second time they will be changing characters. I then allocate characters to the pair who need help, reassuring the one who compromised, their turn is coming next! Depending on their level of compliance with my decision, I distract them totally by choosing them to be my demo pair which is usually a highly successful tactic! I then say the first  line from the story and ask them to act it out, giving them pandai points for great acting, for only acting out what I said and for not going ahead or adding in their own details. All very important information that needs to be clarified right from the beginning. If my demo pair demonstrated that they understood the task, I invite all the Superman’s and Pak Hudson’s to berdiri and then we begin again right from the beginning. It will probably be chaotic the first time we do this activity, but it is well worth persevering because later in the year with practise it becomes smoother and is such an excellent ‘up’ activity while getting in heaps of repetitions of the story and with comprehension checks!

One final note: If you absolutely need to say a word students have yet to acquire, say it in English for this first story. This is how I tackle the ‘other’ word list. I need these words for the story but they are not target structures. The first time I story ask, I say the ‘other’ words in English. Then slowly introduce them in Indonesian, quickly followed by a comprehension check. If the comprehension check is met with blank confused looks, I know immediately they are not ready for it yet – the students need more repetitions of the story – and I’ll try again later. 

This is the very first TPRS story I started with and initially taught it to all year levels. It worked with all my classes. Now, though, I just use it with my reception classes. I still remain totally convinced that it is the best story to start with, regardless of the age of the students.

Do you have a favourite story you begin with? I’d love to hear it. Feel free to write it below in the comments!

Meeting Blaine Ray in Sydney

Annie and I are heading home after 2 unforgettable days in Sydney with Blaine Ray. What an amazing time and I still can’t believe how fortunate we have been.


Firstly how lucky were we to have Blaine Ray to ourselves almost for 24 hours! We did share him on Tuesday with Stef and her son Daniel, but considering that she is heading up to the conference in Brisbane this Friday, this was a bonus! We were able to pepper him with questions and then listen to his explanations while taking notes. It felt like our own personal workshop specifically tailored for our needs and level. Words simply cannot express how amazing this was and we’ll always be indebted to Blaine for his kindness and patience. 

Secondly, we were able to practise our note taking skills ready for next week’s inaugural TPRS conference on the Fleurieu Peninsular with Terry Waltz & Lizette Liebold! It has been fascinating comparing our notes and seeing the huge gaps in my notes where at times I must have become so engrossed in the conversation I forgot to write anything down! Annie has diligently cross referenced both sets of our notes and created a version that incorporates everything and then on top of that has presented it out beautifully.

(This is from Blaine’s advice that whenever you get universal agreement with a response, never accept it. Choose the opposite and surprise them! Never accept the obvious; eliminate the expected!) 

And thirdly, it was simply a lovely break spending 2 nights in Sydney and being a tourist in such a beautiful city with like minded people. We spent most of our time together either walking or eating along the scenic waterfront. Except for the initial trip to our hotel from the airport, all of the travel we (Annie & Cathy) did in Sydney was either by ferry or by train and this is definitely the best way to travel. The ferry system is efficient and relaxed. It was just lovely sitting or standing on the ferries enjoying the gorgeous scenery and the cool breezes with the added occasional bonus of sea spray. The trains too were great. So much quicker and took us directly to the domestic terminal which was in direct contrast to our long and tiring trip on arrival which took at least an hour of zig zagging throughout the CBD streets of Sydney. I’m so grateful that Annie talked me into exploring alternative travel options for our return to the airport!


What a generous and gracious person Blaine Ray is. He happily and enthusiastically shared his knowledge with us and was genuinely impressed to discover that we are 2 of 3 language teachers on the south coast who have been teaching with TPRS in since 2014. He told us afterwards that he had presumed we had only recently heard about TPRS and therefore surmised that our discussions would lack any deep TPRS connection. In fact we spent every single minute chatting about various aspects of TPRS and Blaine answered all of our questions and gave many demos to illustrate his points. He also encouraged us to share all that we learned; a huge relief because I couldn’t wait to write up this post!  I particularly appreciated his personal stories which clearly illustrate his open mindedness towards improving TPRS, unlike others who have created a successful model and then constantly ‘protect’ the model/concept fiercely. Blaine told us of several instances where he had witnessed or discussed with a practising TPRS teacher a successful idea of theirs, which he  immediately saw the value of incorporating it into TPRS procedure and then gave that teacher full credit for that update! Alina Filipescu is one such teacher and after seeing several of her youtube videos, I fully understand why Blaine Ray would be impressed by her teaching.

His explanation and demonstration of the 5 steps of teaching a sentence is a procedure I aim to focus on this upcoming term. I particularly would like to work on this to ensure that I am story asking rather than story listening. I can finally understand how we can create a class story based on the target structure. His advice of writing out a script beforehand with a few planned surprises (should the student ideas be too predictable) would help as my mind goes blank when I am in front of a class. He did reassure us though, by saying that once you get started and students get the hang of suggesting the unexpected, we will begin to build up a bank of great surprises perfect for our cohorts that can be drawn upon when needed. I liked his mantra of rejecting the expected; I can fully understand now that choosing an idea that is sooo off the planet ramps up the class stories to make it even more compelling. Blaine demonstrated this with us all at Watson’s Bay with a sentence about a chicca called Annie. He circled this sentence using his 5 steps with us as the class. Whatever we suggested, he would shake his head and reject it with a disappointed look on his face and so we would dig deeper to outdo each other to come up with even better unpredictable ideas. However he continued to reject our suggestions and would then use his own which were always better than ours. I also loved his comeback when I told him that his story didn’t make sense to me; “This is my story and if you don’t like it, go and write your own story.”

Here are the 5 steps of teaching a sentence:

  1. Annie was a girl.
  2. Annie, are you a girl?
    (If the actor doesn’t have the language to answer in the target language, she/he can either read it or mouth it while the teacher provides the voice.)
  3. Yes, I am a girl.
    (The actor must answer in complete sentences confidently as this provides input for the class and is also a clear indicator of the extent to which the whole class ‘gets it’. Any errors or hesitation are indicators that more repetition is necessary.)
  4. Yes, you are a girl.
    (teacher verifies the response)
  5. Class, Annie was a girl.
    (Teacher speaks to the whole class)


This leads on nicely to Blaine’s comments about actors. He made it very clear that choosing good actors is critical. He explained about having auditions to select the best actor which is an idea I’ve tried but not while focusing on the target structure which would be an awesome way in which to add additional input, rehearse the structure and develop student confidence. A good actor must be enthusiastic, must want to try and must have the mindset that this is a cool class. We loved his line that actors have the opportunity to be in the movie rather than to just watch it!

If however, the actor is not performing (maybe he/she is shy or reluctant to act in an exaggerated fashion), try whispering in their ear hints or even demonstrating the required action and if they are still unable to act in the engaging manner required, it may be necessary to replace them. Choosing a bad actor gives negative messages to all the students about our subject. Blaine’s statement that every teacher has a battle for the students hearts resonates for me in my school where we can have up to 5 specialist teachers on top of their class teacher and other support staff. He says the way to win their hearts is through comprehension and play!


Our meals with Blaine were spent juggling our plates & cutlery with our notebooks & pen. Meal times were perfect times to focus on specific aspects of TPRS. The first evening, Annie took notes while I hesitated to pull out my book. Afterwards back at the hotel, I quickly wrote down all that I could remember and was horrified at how much detail I couldn’t remember. From then on, as soon as Blaine began talking, I would whip out my note book and note down the salient points using some of the shorthand I haven’t used since teachers college lectures! 


Over our first al fresco breakfast in Pyrmont, Blaine discussed circling. Questions are the backbone of TPRS and are the key difference between TPRS teaching and everything else. He told us of studies which showed that TPRS teachers ask 3-4 questions a minute whereas legacy teachers rarely ask ANY questions. Questioning is critical because it gives students the opportunity to rehearse while giving the teacher the opportunity to get repetitions on just one sentence.

Here are his 7 rules of circling:

  • Never circle in the same order (too predictable)
  • Use either/or on any part of the sentence (subject, verb, object)
  • Always have a bias towards asking negative questions as they are more challenging
  • Use your question words and point and pause to give processing time
  • Add information to the sentence to create a new sentence. Either circle the longer sentence or part of the longer sentence; whatever is necessary for your students and this is evident through your actor. Eg. Girl wants a monkey, Girl want a big/small monkey, Girl wants a big monkey that speaks Chinese/dog,
  • add a new character (parallel character)
  • add yourself (teacher)

It’s all about asking different people different questions based on the same structure. If it feels boring, ramp it up by adding another character, a celebrity, a celebrity’s pet cat. Adding something new makes it more interesting. Speak to each character. Eg. Are you a cat? What languages do you speak? You are very clever. Each new piece of information can be added to the sentence being circled or just circle the new addition depending on the level of actor confidence and continue till the actor ‘sooo gets it’! If a student actor hesitates or has errors in their answer, this indicates that the class also needs more circling on that sentence. Blaine requires actors to respond in complete sentences to provide further output for the class however class responses are limited to one word responses. In this YouTube video you can see him demonstrating this:

 https://youtu.be/9DRblDN2sXY

Just as critical though are student responses. He told us about Alina Filipescu who coaches her students to give powerful responses. I am definitely going to investigate that idea as I agree it is a skill that needs explicit teaching. 

Answering questions demonstrates comprehension and understanding.
Blaine has 3 procedures for evidence of student engagement

They are:

  • Respond to new statements with ‘ahh’.
  • If I ask a question, respond in the target language.
  • If I ask a question and you don’t know the answer, guess in the target language. Surprise me with your guess and if you don’t surprise me, I will surprise you!

This conversation led us neatly onto the 2 Rules for Students in class:

  • NO social talking
  • Never speak negatively about this class.Regarding point 2, Blaine recommends teaching early on a phrase such as, “I like this class” (Kelas Bahasa Indonesian keren) and whenever a student speaks negatively about the lesson or class, insist they repeat this phrase while reminding them of rule no 2. Personally I can’t remember anyone stating publicly in class that they dislike my classes or lessons, I just get occasional glowering glares or disengaged expressions which I usually do not draw attention to and work harder to turn their attitude around. For one student this happened when she became the class artist.

 

A major theme that underlay every discussion we had with Blaine was student confidence and teacher patience. He highly recommends all language teachers experience learning a totally new language to fully enable us to  empathise with our students. Teacher thinking about language learning is usually wrong. We have forgotten just how it feels to be a learner and why students want and need patience from their teacher. Teachers can not make their students learn any faster, the only way we can help with their acquisition is to provide more repetition.

Always respond with love and patience until your students CAN:

C= Confidence

A= Accuracy

N= No hesitation.

 

We want new language learners (slow processors) to become confident fast processors which is the goal of TPRS. Writing translations up on the board can make a big difference with this. Did you realise that your brain starts from the point where it is confident? How much sense does that make! It explains why we can hear the same talk/ explanation several times and yet pick up different facts each time! This is relevant for language learners too! Each time we repeat a structure, it solidifies in the learners mind and helps them become more confident. Every learner is different and begins at a different point. TPRS students are at one of the following stages:

~ understanding

~ getting it

~ soo getting it.

Obviously it the final stage we are aiming for with our students!
 

Post Script:

This post is my grasp of Blaine’s explanations. I hope it is true to his understandings and should there be any errors, I fully accept that they are evidence of my ongoing and constantly developing comprehension of TPRS. 

Student Work – Books vs Folders?

When I first arrived at this school, piled up in the bookcase were huge piles of student workbooks from the previous year’s teacher – most of which had been barely been used. I then repeated this pattern myself for the next few years!! I always felt uncomfortable at the end of each year sending the books home. If the books were not full of book work, did parents  assume students had not done anything? Would I and/or my program be judged if student work was untidy or unmarked or if there were incomplete tasks? After a few years of this dilemma, I trialed ordering students a folder each instead of a lined book.  At the end of that first year, instead of sending student work home, students took out all their work sheets, and put them together in the back sleeve of their folder with a back sheet stating their year level and the calendar year on one side and their front cover in the other. We discovered early the following year, that it was best to staple this together to prevent pages falling out mid lesson and also so that work doesn’t get mixed up from year to year. I have been doing this for nearly 10 years now, and over the last few years, it has been lovely handing the folders to my graduating year 7’s as it contained work from each and every year they have been here at PEPS.

Each year, we begin the program with a front cover for their folder. This front cover has many uses but the main one is to ensure quick and smooth distribution during lessons, therefore their names must be bold and eye catching! When I taught thematically, there would be 4 boxes on the front cover, each one representing the 4 terms in our school year. In each box there would be either an illustration for each term’s theme or it would be blank for the student to draw their own picture inside it. At the end of the year, this front cover is stapled strategically facing the back cover, so that reorganising the folders at the start of each year is made slightly easier.

Since beginning with TCI/TPRS, our front covers has changed significantly and the main reason for this is that week one of each term is the best week!! It is the week when students are most settled, most cooperative and most are absolutely delighted to be back at school so it seems absolutely crazy to spend that week colouring in!! Now, the front cover is only done in the first week of the year and it helps me to gain greater insight into my students likes and dislikes which hopefully strengthens our student/teacher relationships.

My first cover in 2015, was based on the expectations of students in the Indonesian classroom and was a great way to introduce Teaching Proficiency Through Storytelling to students. Last year, after discussions with Sharon & Annie, We all used the front covers to collect information about students that could be used in class stories. Unfortunately my design was too ambitious and  was only completed fully by a few classes. As the week progressed, each class’s front cover was tweaked more and more so that for those classes that only had that one Indonesian lesson that week, the cover could be completed in a single lesson and didn’t run into week 2!


This year, I plan to have another go with a basic interview styled front cover, but with the option for slower students to write their information instead of only being able to illustrate it!! Hopefully that will reduce the amount of time needed for completion! Here are the front cover drafts I’ve created so far:

 JP firstly then MP & UP. 

2016 – AIYEP in South Australia

Have you or your students heard of AIYEP ? Even though AIYEP has been around for 35 years, I have only just  learned of it and then only by chance!

 

AIYEP (pronounced Ay-yep) is the commonly used acronym for the Australian Indonesian Youth Exchange Program. This program was established in 1981 and is fully supported by the Australian Government (DFAT) and the Indonesian Government (Ministry of Youth Affairs & Sport) and promotes peace and understanding between our two countries. Each year the program is based in a different state/Territory in Australia and in Indonesia it is held in a different province. This year, it is based in South Australia and Sulawesi.

 

The participants, 9 men and 9 women, aged 21-25 years, are chosen from applicants who are either undertaking tertiary studies or working in sectors that will contribute to improving bilateral relationships.

 

Here in SA, we are almost at the end of the first half of the program. 18 Indonesian youths have 3 days left before heading back to Adelaide to meet the 18 Australian youths who will soon be flying to Indonesia for the final part of the program. The Indonesians arrived almost 2 months ago and have enjoyed staying with host families in firstly a city setting and then lastly a rural setting while enjoying work experience placements relevant to their chosen career path. 

 

Our region is about to host the farewell ceremony for the Indonesian group who have been here on the Fleurieu Peninsular for just over 2 weeks. Having 18 Indonesian youths in our community has been such a bonus for our Indonesian language programs. Several local families have offered to be the host families for our visitors and are just loving the opportunity to get acquainted with their temporary adopted son/daughter! Due to Indonesian cultural norms, it is usually difficult for them to address adults by their christian name, so they were encouraged to address their host parents are Mum/Dad. The variations of this have been hilarious. At the Victor Harbor Christmas Pageant last night, I smiled each time I heard someone being addressed as ‘Mom’ or even ‘Daddy’. No matter how many times it is explained that ‘Mom’ is American and not used in Australia, it has continued! Too much exposure to USA TV content?

 

At PEPS, we were fortunate to host 5 for their work placement; 4 in the primary school and one in the kindergarten. The first week was crazy as our inaugural Twilight Pasar Fundraiser was to be held that Friday. They spent equal time observing classroom teachers and supporting Indonesian lessons. Due to crazy pasar preparations, I wasn’t able to explain in any detail about the pedagogy I’m using in my classroom but thankfully Sharon did at Victor R-7, which led to quite a bit of discussion last night at the Christmas Carol concerts between those from education sectors. Prima is so enthusiastic to learn more about TPRS and use it in her classrooms!! Isn’t that exciting?

 

The AIYEP group has had 4 days each week at their work placement and then each Friday, reconnected as a group and traveled around visiting local schools to perform a selection of cultural dances. Their first day of their cultural performances on the Fleurieu coincided with the inaugural Twilight Pasar and was easily one of the highlights of our pasar. The costumes and dances were amazing. Each participant wore traditional clothing from their regions: Aceh, Riau, Java, Kalimantan, Ternate, Papua, Sulawesi and Bangka Belitung. img_1818Consequently their clothing varied immensely, especially that of the women. Sylvi from Java wore a beautiful cobalt blue sarong and jacket with her hair gathered back for an enormous bun. I’ve only seen her in casual clothes; the transformation was breath taking. Fadilla wore a long dress that she adapted to represent the traditional clothing of Central Sulawesi. The bodice was pink and covered in twinkling gold sequins and she also wore a matching tiara. Her layered black skirt had colourful dangling beads hanging from each layer. Her gold earrings were attached to her ears over her kerudung which strangely looked fantastic! Hannet and Luis from Papua wore grass skirts together with lots of body paint and shell necklaces. Their clothing added such a lovely balance to the group as it is so different from the traditional sarong and kebaya.

 

At PEPS, we had Ricky, Oscar, Farah (Fadilla) and Rini in the primary school and Odah in the kindergarten. During the first week, I presented them with their timetable and sent them off to classes for observations and then in the second week, they were given a choice to continue observing or stay in the Indonesian room. I’m thrilled they chose the latter! Post Pasar, the students were restless, so it was perfect that we had decided to teach traditional children’s games to small groups of students. Oscar chose cublak- cublak suweng, Rini chose bekel, Ricky chose pecah piring and Farah chose lompat karet. Because it was to be a fun week, I asked the students to get into 5 groups and then asked each group which activity they’d like to learn/do. My activity was congklak which most students already know so I was able to get my group going and then walk around taking photos of other groups. Because all but congklak was unfamiliar, there were no disappointed groups. Boys tended to select Oscar & Ricky and it was lovely watching them play simple children’s games and have so much fun. It really was a fantastic way for the students to interact with our visitors.

As the first lesson of the 2016 timetable is a planning lesson, Farah, Ricky, Oscar & Rini used this time on the second Tuesday to film themselves demonstrating and explaining the rules for each game. It took them a while to adjust to speaking slowly and restricting their vocabulary but the final result is awesome. Here are the videos that have been uploaded to YouTube so far:

 

 

We are going to miss them once they leave our region this Wednesday morning!

 

However the main point of this post is not just to share what we have been doing but also so that you can share this information with your students. Lets hope relations between Indonesia and Australia continue to improve so that programs like this continue to be available for our students in their future. There are so few programs like this (that I know of) that encourage Indonesian Language students to continue with their language learning, offering them an achievable goal as it is a fully funded DFAT program.

 

For more information, see the AIYEP website.

Behaviour Management for Junior Primary

Earlier this year at one of our PLN get togethers, we talked about a behaviour management technique found on Pinterest.  I refer to it in my classroom as the nakal/pandai (naughty/clever) system. Read here for a quick refresher! It has been such a success in my classroom with  younger students that I want to post about the way in which it works for me.

I have created 2 A4 posters from images from Google and sticky taped to the back is an old fridge magnet to make it easier to put up and down on the whiteboard. The nakal poster looks like this:picture credit:

The pandai poster  looks like this:picture credit

I put them up side by side on the white board like this, with a blob of blutack in the middle:

Using these posters significantly reduces the amount of English I need to use for behaviour management with my active bearcubs (love this term from Catharina to describe young’uns!)

Here is how I use the nakal/pandai system in my lessons with my R-2’s.

The students walk in the door and sit down immediately in front of the white board. Students who do this quickly and quietly, receive immediate positive feedback with a smile and a verbal compliment, “pandai’. I then point at the pandai sign, look back at the student, smile again and then add a tally point. I then turn back to the class and give a thumbs up sign to the student before stating to the class, “Jack pandai! Bu Cathy kasih kelas Warner satu poin! Bagus Jack” (Jack is Clever! Bu Cathy has given your class a point. Well done Jack) If anyone does the wrong thing ( rolls on the floor, starts chatting in English to a friend etc), I look at them with a sad face and then do the nakal finger shaking gesture and turn around and tally a nakal point. The beauty of this, is that everyone knows exactly what the problem is and no English is necessary. I used to rely on English to get explain this, but it is no longer necessary!

After calling the roll on class dojo in Indonesian  (Bu Cathy mengabsen), I turn to the class and say, “Bu Cathy mau satu stik!” I hold up their class pot of paddle pop sticks (huge shout out to Natalie Bond for writing the names of all our students on the sticks for me!) and ‘randomly’ choose a stick, looking at the name to check that firstly the student is here today and secondly that they haven’t yet had a turn – each stick is marked afterwards with a dot. I then put the stick in the blutack between the nakal/pandai signs, name side downwards so no one knows whose stick it is. Students have quickly learned the colour of their own stick which is something I will avoid next year by allotting a different colour to different classes.
 Throughout the lesson, I tally whenever students demonstrate successful learning behaviours (pandai) or behaviours that interfere with thir own learning or the learning of others (nakal). The students watch this avidly and cheer when a single tally changes the balance from nakal to pandai!!

With 5 minutes of the lesson left, I invite students to sit in front of the board by saying, “Ayo kelas Lacey, menghitung” (Lets count, Miss Lacey’s class) and together we count in Indonesian. After each, I write the number under the tally marks and then turn back to the class and say, “Show Bu Cathy sembilan.” The students then hold up the corresponding fingers before repeating the process for the second tally marks. Next term, I feel my JP students are now familiar enough with this routine and are consequently ready to learn the word ‘kasihlihat’ (show) especially considering that they know both kasih (give) and lihat (see)! We then get repetitions on each number by saying the 2 numbers one after the other starting off slowly and then getting faster and faster with students trying to keep up with their fingers!! It always ends in hilarity!! We then turn back to the tallies and I ask, “Pandai besar atau nakal besar?” (Clever is big or naughty is big?) and the class generally answer with the correct answer. Some students recognising that the stick on the board is the wrong colour to be theirs will usually try to trick me by attempting to convince me that nakal is larger than pandai!! I then ask the class, “Mau lihat stik?” (Do you want to see the stick?) to which they cry out ‘Ya!”I then become goofy and suggest ridiculous statements like, “Nama saya ular! Nama saya Bu Lacey, Nama saya Spongebob!” (My name is snake. My name is Ms Lacey. My name is Spongebob!) After a couple of these incorrect suggestions, I read out correctly, “Nama saya Lisa.” Lisa jumps up excitedly. I ask her, “Mau lihat treasure box?” to which, of course she replies, “Ya!”

While she is looking in the treasure box (Is there a simple catchy Indonesian  word for this?), the class sing the goodbye song which is generally enough time for ‘Lisa’ to choose something from the treasure box, put the lid back on and then rejoin the class in time to line up ready to leave with the class teacher.

Another added bonus of this system has been student acquisition of numbers! It has been a successful and meaningful way in which  to introduce and consolidate knowledge of numbers 1 – 20 and without a doubt, my receptions this year have the best grasp of numbers than any other previous cohort!

Do you have a behaviour management system that works for you? Please feel free to share below by adding a comment!!